Kapustin’s piano etudes, in particular, are a considerable contribution to standard etude repertoire that remains understudied. Kapustin’s etudes are innovative. Sheet Music – £ – Kapustin was trained in the great Russian piano tradition and his style is a fascinating and distinctive blend of classical and jazz styles. Abstract (summary): Nicholai Kapustin (), a Ukrainian composer whose music amalgamates the Western classical tradition with jazz.
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Variations for piano and big-band Op. Divertissement for two flutes, cello and piano Op. Sonata for violin and piano Op. Five Etudes in Different Intervals for piano Op. Holy Cow for piano solo Op. Paraphrase on the theme of Paul Dvoirin for piano Op. Recommended Citation Wang, R.
Piece for sextet Op. Impromptu Improvisation for piano Op. Andante for piano Op.
Search Enter search terms: Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Paraphrase on Dizzy Gillespie’s “Manteca” for two pianos, four hands Op. Three Kaputsin for piano Op. Concerto for eleven instruments Op. Two Etude-like Trinkets for piano Op. Ballad for piano Op. Eight Concert Etudes, OP. Something else for Piano solo Op.
Suite for piano four pieces for piano Op. Variations on “Sweet Georgia Brown” for viola, alto-saxophone, piano and bass Op. Tonwiederholungen kapusttin von einem Register zum anderen und erinnern an die wohlerzogenen Synkopen aus Gershwins Rhapsody in Blue.
Toccata for piano and orchestra Op. Piece for string quartet “The Last Attempt” Op. Violin Concerto Op. Dialogue for solo piano Op. Nocturne in G major for piano and orchestra Op. Ten Inventions for piano Op.
Nocturne for piano and orchestra Op. Three Etudes for piano No. Ten Bagatelles for piano Op.
Suite for cello solo Op. His compositional brilliance etudex a profound addition to piano literature and deserves to be fully recognized and preserved for the future.
Hopefully, as the reputation of his etudes grows, these newfound treasures will only help encourage and expedite the publishing of more of Kapustin’s works, introducing more people to his music and establishing him more as a mainstream composer. Freeway for piano solo Op. Kapustin’s etudes kapusfin innovative and noteworthy in that his fusion of classical form with modern idioms of jazz and rock, combined with the technical demands etuudes of a standard study, have not been previously characteristic of the genre.
Suite In the Old Style for piano Op. Capriccio for piano Op. No 8 Prestissimo is similar in style and mood to Nos 1 and 3, but more compact.